TsimTsum / Shevirat Ha-Kelim…
Turnaround / Surround
glassphalt access path
City-wide Performance With 85,000 NYC Sanitation Workers
cobalt blue stained glass
Hartford Wash: Washing, Tracks, Maintenance:Outside
performance at Wadsworth Atheneum, Hartford, CT, part of Maintenance Art Performance Series, 1973-74
“Mierle Laderman Ukeles discussed her work in conjunction with WACK! Art and the Feminist Revolution On Thursday, June 7, at the Geffen Contemporary at MOCA.
“I am an artist. I am a woman. I am a wife. I am a mother. (Random order).
I do a hell of a lot of washing, cleaning, cooking, renewing, supporting, preserving, etc. Also, (up to now separately I do Art. Now, I will simply do these maintenance everyday things, and flush them up to consciousness, exhibit them, as Art. I will live in the museum and I customarily do at home with my husband and my baby, for the duration of the exhibition. (Right? or if you don’t want me around at night I would come in every day) and do all these things as public Art activities: I will sweep and wax the floors, dust everything, wash the walls (i.e.floor paintings, dust works, soap- sculpture, wall-painting) cook, invite people to eat, make agglomerations and dispositions of all functional refuse.
The exhibition area might look empty of art, but it will be maintained in full public view.”
SUBJECT vs CONTENT
Ukeles wrote “Manifesto for Maintenance Art” as a challenge to the binary systems of opposition that draw the line between art/life, nature/culture, and public/private.Over a period of several years, her performance work concerned the every day routines of life. Her work looked to highlight otherwise overlooked aspects of social production and questions, still very relevant today, the hierarchies of different forms of work, especially of housework and low-wage labor. The performances varied from scrubbing the steps in NY to sweeping the streets. Images of the performances are now displayed in the traveling Maintenance Art exhibit.
The manifesto proposed undoing boundaries that separate the maintenance of everyday life from the role of an artist in society. One piece of content to the work could be to show how artists could use the concept of transference to empower people to act as agents of change and stimulate positive community involvement toward ecological sustainability. Another possible reason for the work was because of her own disgust and rejection after child-birth in 1969. It was her way of bringing forth her new life to the public, and making sanitation Art.
She originally studied History and International studies. It was not until later that she began her artist training.
While my original thought to create a language project that would be an interactive experience on campus was foiled due to the locale, The alternative of looking within my own home for sources turned out to be even more eye-opening. I asked three people in my house (the only three people) to write down what it is they think I do with my time during the day. The assignment was to be as descriptive as possible, including my interests and activities, but not to be opinionated toward them or discuss WHY I do certain tasks.
Plain and simple: What do I do?
I eventually want to compile these thoughts into a photo map, entailing where this events take place from a geographical standpoint. The map could be used to outline an itinerary for someone else to walk through the steps of my day.
Jim Carrey was portraying an old man with stringy long hair who was balding on the top. His wife recently passed, leaving him a widower. He began writing several large checks that he knew would bounce, but laughed maniacally as he did not care. He had a plan. As bankers were coming to collect and foreclose on his property, he chopped off the ropes that were anchoring his old Victorian home on the riverbank, letting it crash into the rapids. A huge wave suddenly smashed into the home and overtook it, sending it into what was now an ocean. The house popped back up on land unscathed, and Jim Carrey had a big tough guy to act as his muscle. The man with the muscle was threatening to give someone a tattoo with a straight razor blade and acrylic paint. I was in the scene, as he came up to me and started using the razor to peel off my finger nails. Pretending to be tougher than the tough guy, I said, “I can take it!”
My phone then buzzed and I awoke.
Andrew Clements wrote for Composer of the Week, a BBC Radio publication, that “There’s a handful of living composers who can legitimately claim to have altered the direction of musical history. Steve Reich is one of them.”
“It’s Gonna Rain” – magnetic tape, 1965, 17 min
“Come Out” – 1966, tapes voices, tonal patterns
“Different Trains” – 1988, string quartet, recorded speech, train noises
“Four Organs” – 1970, electronic organs and maracas
“Proverb”- 1995, musical composition of 3 sopranos, 2 tenors, 2 vibraphones, 2 electric organs, added text.
Composition et dessin automatique